Barco, Nicole
Biography
Dr. Nicole Sparling Barco is a Professor of World Literature at Central Michigan University, where she teaches courses on the topics of World Literature, Literature of the Americas, African-American Literature, Women and Gender Studies, Genre Studies, and Writing. Dr. Barco specializes in comparative studies of North, Central, and South American cultural production, more specifically in the literature written in English, Spanish, and Portuguese from these regions. Much of her research uses a variety of philosophical frameworks to explore the function of genres, epistemologies, and disciplines in shaping truth claims, and their material impact on human experiences. Her courses challenge students to engage with diverse perspectives, cultures, and peoples with empathy, compassion, and a commitment to the dignity of all. She has also designed and implemented study abroad and collaborative online learning experiences to enhance global learning and develop intercultural competency for her students. Throughout her time at CMU, Dr. Barco has served in several leadership roles, such as: Director of the Honors Program, Director of the Cultural and Global Studies Program, Chair of the Department of English, Language, & Literature, and Presidential Administrative Fellow. As a leader, scholar, and teacher, she is firmly committed to the transformative power of mentorship.
More about Nicole Barco
Publications & Presentations
Guest Editor of Special Issue
Capital Crimes in the Americas, special issue of The Forum for Inter-American Research 10.1 (May 2017). http://interamerica.de/
Book Chapters
“To Be or Not to Be Human: The Plasticity of Posthuman Rights.” Human Rights in the Americas. Routledge, 2021: 283-294.
“‘We Are the World, We Are the Children’: 1980s World Literature Bears Witness to U.S.-American Exceptionalism and Imperialism.” American Literature in Transition: 1980-1990. Cambridge: Cambridge UP, 2017: 239-255.
Refereed Journal Articles
“Can the Fetus Speak?: Revolutionary Wombs, Body Politics, and Feminist Philosophy.” New Encounters between Philosophy and Literature II, special issue of Humanities 7.24 (2018): 1-26.
http://www.mdpi.com/2076-0787/7/1/24/htm
“Capital Crimes in the Americas.” Capital Crimes in the Americas, special issue of The Forum for Inter-American Research 10.1 (May 2017): 5-12. http://interamerica.de/
“Difficult to Digest: Rubem Fonseca’s ‘Intestino Grosso’ [‘Large Intestine’] as a Scatological Theory of Crime Fiction.” Capital Crimes in the Americas, special issue of The Forum for Inter-American Research. 10.1 (May 2017): 87-102. http://interamerica.de/
“La ciencia de género según Angélica Gorodischer” [“The science of gender/genre according to Angélica Gorodischer”]. La ciencia ficción en América Latina: Aproximaciones teóricas al imaginario de la experimentación cultural [Science fiction in Latin America: Theoretical Approaches to Cultural Experimentation in the Imaginary], special issue of Revista Iberoamericana Vol. LXXXIII (Abril-Septiembre 2017) Núms. 259-260: 657-672.
“Without a Conceivable Future: Figuring the Mother in Children of Men.” Frontiers: A Journal of Women Studies 35.1 (2014): 160-180.
“Mothers of Afrolatinidad: Dislocating New World Identities in Latino/a Studies and African American Studies.” Expanding Latinidad: An Inter-American Perspective. Inter-American Studies/Estudios Interamericanos Series. 5 (April 2012): 153-176.
“Deauthorizing Anthropologies and ‘Authenticating’ Landscapes in Margaret Atwood's The Handmaid's Tale and Diamela Eltit's El cuarto mundo.” Canadian Review of Comparative Literature 38.3 (September 2011): 1-25.
“Entre lo físico y lo metafísico: una interpretación alquímica de Cien años de soledad de Gabriel García Márquez.” [“Between the physical and the metaphysical: an alchemical interpretation of One Hundred Years of Solitude by Gabriel García Márquez”] Revista de Estudios Hispánicos [Journal of Hispanic Studies] 44.1 (Marzo 2010): 169-191.
Reprint
“Difficult to Digest: Rubem Fonseca’s ‘Intestino Grosso’ [‘Large Intestine’] as a Scatological Theory of Crime Fiction.” Capital Crimes in the Americas, special issue of The Forum for Inter-American Research. 10.1 (May 2017): 87-102. Short Story Criticism, vol. 270. Gale, 2019, pp. 210-219.
Presentations
Award Finalist for Excellence in Education Abroad. “Creative Program Design: Examples from the Field.” The Forum on Education Abroad Annual Conference. Seattle, WA. March 14-15, 22-24, 2023.
“Emergent Epistemologies and Metaphysical Mysteries: Transnational/Transcultural Modernism in Urban Detective Fiction” American Comparative Literature Association Annual Meeting, Montreal, Canada. April 8-11, 2021.
“Do the Posthuman Have Rights?” International Conference on Global Human Rights, South Dakota State University, Brookings, SD. October 4-6, 2018.
“Latinx Futures: How Pedro Aguilera’s Brazilian Netflix series 3% merits a new Latinidad.” International Congress of the Latin American Studies Association, Barcelona, Spain, May 23-26, 2018.
Invited “Flash-forward” participant. ACL(x): Extra-disciplinarity, an American Comparative Literature Association Annual Meeting. September 23-24, 2016.
Invited Roundtable Participant, “Panel on Program Design” at Harvard University’s Institute for World Literature, Lisbon, Portugal. June 22-July 17, 2015.
“Do you believe in magic?: Yamashita’s Magical Realism as Human Ecology in the Era of Globalization.” International Congress of the Latin American Studies Association, San Juan, Puerto Rico, May 27-30, 2015.
“Transcorporality is the New Black, or Re-fashioning a Black Feminist Aesthetic.” Black to the Future: Black Culture through Space and Time. Purdue University African American Culture and History Symposium, Purdue University, November 20-22, 2014.
“Rubem Fonseca’s Scatological “Large Intestine” as an Aesthetic Theory of Crime Fiction.” American Comparative Literature Association Annual Meeting, New York University, March 20-23, 2014.
“Can the Fetus Speak?: The Literary Rhetoric of Fetal Personhood and Human Rights.” Human Rights, Literature, the Arts, and Social Sciences International Conference. Central Michigan University. November 21-23, 2013.
“The Aftermath of Negative Eugenics in Late Twentieth Century American Science Fiction.” American Comparative Literature Association Annual Meeting, Brown University, March 29-April1, 2012.
Roundtable Participant. “Necro-Americas: Borders, Biopolitics, and Civic Subjectivities since 9/11.” American Studies Association Annual Meeting, Baltimore, Maryland, October 20-23, 2011.
“Octavia Butler's Fledgling: Fantasy as an “Other” Pedagogy in Lessons on Gender, Race, and Sexuality.” Celebrating African American Literature: Race, Sexuality, and African American Literature, Pennsylvania State University, September 30-October 1, 2011.
“The Science of Gender and Genre in Angélica Gorodischer’s ‘Embriones del violeta’” International Congress of the Latin American Studies Association, Toronto, Canada, October 6-9, 2010.
“Figures of the National Imagination: The Art and Science of Bodily Metaphors.” American Comparative Literature Association Annual Meeting, New Orleans, Louisiana, April 1-4, 2010.
Roundtable Participant, “Hope, Fate, and Foreclosure: Toni Morrison's A Mercy and The Emergence of Inter-disciplinary Knowledges in a Women's (Academic) Book Club.” Celebrating Contemporary African American Literature: The Novel since 1988. Pennsylvania State University, October 23-24, 2009.
“Revolutionary Wombs and the Body Politic.” International Congress of the Latin American Studies Association. Rio de Janeiro, Brazil. June 11-14, 2009.
“Entre lo físico y lo metafísico: una interpretación alquímica de Cien años de soledad.” American Comparative Literature Association Annual Meeting, Puebla, Mexico, April 19-22, 2007.
“Deauthorizing Anthropologies and ‘Authenticating’ Landscapes.” American Comparative Literature Association Annual Meeting, Princeton University, March 23-26, 2006.
“When the Grotesque Touch and the Thorn Pricks: Progressive Visions of Sherwood Anderson and Mary Hunter Austin.” American Comparative Literature Association Annual Meeting, Pennsylvania State University, March 11-13, 2005.
“Revolutionary Spaces: Ordering Chaos and Rationalizing Spirit in Alejo Carpentier’s Explosion in a Cathedral (El siglo de las luces).” Art, Nature, Hill: Engaging Jean-Jacques Rousseau. PSU Graduate Student Conference, February 13-14, 2004.
Education
Ph.D. in Comparative Literature with a Graduate Minor in Women and Gender Studies (The Pennsylvania State University, 2009)
M.A. in Comparative Literature (The Pennsylvania State University, 2004)
B.S. in Accounting and Spanish Language & Literature (Nazareth College of Rochester, 2001)
Courses Taught
ENG 665D: Graduate Seminar in World Literature
ENG 656D: Graduate Seminar in American Literature
ENG 454: Contemporary American Prose
ENG 435WI: Senior Seminar
ENG 435: Studies in Texts
ENG 333: Introduction to Non-Western Literature
ENG 338C: Topics in Modern or Contemporary World Literature
ENG 329: African American Literature
ENG/WGS 327WI: Women Writers
ENG 326: Never-Ending Stories: Adaptation Across Media
ENG 323WI: Science Fiction and Fantasy
ENG 300: Study Abroad: “Cuba Beyond Castro, Cars, and Cigars”
ENG 252: American Literature Survey from Realism to the Present
ENG 234WI: Introduction to Literary Analysis
ENG 201: Intermediate Composition
ENG 201H: Intermediate Composition Honors section
ENG 134WI: Introduction to Literature
HON 321AC: Critical Global Citizenship: Migration, Politics, and Identity in Morocco and Spain
HON 321B: Representing Human Rights in Art, Literature, and Cinema
HON 321IJ: World Detective Fiction
HON 320: Cultures of Michigan
HON 309: Study Abroad: Critical Global Citizenship: Migration, Politics, and Identity in Morocco and Spain
HON 207WI: Study in Global Cultures
HON 100/300: Introduction to Honors
WGS 100: How Gender Affects Our Lives